“We Are Your Friends” is a terrible title for the thinnest of stories set to music at 128 beats per minute. And that, according to DJ Cole (Efron), is the optimum rate to get an audience fully energized.
But maybe not for this movie.
Think of this as “remix to the rescue.” Every time the story threatens to bog down into trite dialogue delivered by one-dimensional characters in cliched situations, the beat starts thumping and we give it one more chance.
The music ke...
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